In portraits I most often shoot the hero from the back, or work in fragments, emphasizing individual parts of the body: arms, back, legs.
The hero's gaze is directed inside himself in search of silence and peace.
This peace is achieved when the ego is dissolved and the person becomes an observer.
The shell is not important.
The image may be blurred and the portrait may consist only of lines, fingers or toes.
There may be no portrait at all.
Instead of a body shape, there may be any object, a sculpture, a tree, a house, or a state that is best described by the word "intuition" .